Abstract Geometric Art

Lucía Rodríguez Pérez was first drawn to painting on a circular canvas while studying in Santiago, Chile. This early body of work experimented with color and featured ivy or plants i...

Edition 38/100 Josef Albers (b.1888, Germany ) built legacies as an artist, designer, and teacher, and may be familiar to any former student of art or design (even if for only one, ...

Made in Ukraine, 2020. This series of sculptures is a tribute to the great importance that simple symbols make in our lives. Can not imagine we will not see these symbols we meet every day - links, hashtags and pins. Seem impossible and even unlogic now. Pure symbolism and collaboration of brutal steel and white nature stone...

Made in Ukraine, 2020. This series of sculptures is a tribute to the great importance that simple symbols make in our lives. Can not imagine we will not see these symbols we meet every day - links, hashtags and pins. Seem impossible and even unlogic now. Pure symbolism and collaboration of brutal steel and white nature stone...

The mirrored surfaces of the stainless steel Maldonado work of art, reflect the world around. Maldonado's artistic research has an ethological matrix: a sign as a kind of pre-Incan g...

"Peace and Power" is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a horizontally oriented rectangular piece and measures 30 inches high by 40 inch...

Fantastic abstract of floating forms evocative of an abstract California landscape by Erle Loran (American, 1905-1999). Signed lower left "Loran." Unframed. Image size: 72"H x 52"W. ...

Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...

Made in Ukraine, 2020. Pure symbolism and collaboration of brutal steel and white nature stone marble make this series of sculptures ideal for table o...

Substantial and exceptional Cezanne inspired abstract of Spring Mountain scene of the John Day Fossil Beds and Painted Desert in Oregon by Erle Loran (A...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artis...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artis...

Painting on Sculpted Canvas. An abstract illusionist work by artist Jack Reilly. After receiving his MFA from Florida State University, in 1978 Jack Re...

Untitled This piece includes an artist hand-signed note attached to the back of the framed work.

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

Untitled is an original painting realized by Augusto Garau in 1970s. Tempera on cardboard Signed lower right.Signature on the back Photo Certificate by the Artist. Augusto Garau...

Artist: Dan Teis Title: Candy Stripes X Year: 1979 Medium: Acrylic on Canvas, Signed l.r. Size: 48 x 64 in. (121.92 x 162.56 cm) Frame Size: 49.5 x 65....

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Artist: Mark Lewis Title: Shoot the Moon 4 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 72 in. (121.92 x 182.88 cm) Frame Size: 51...

Maria Eugenia Casuso Ciudad Monolith 1987 Acrylic on canvas 32x40 $5,500 Mid-Century Modern piece that meets with Op Art / Abstract Geometric Found in storage and re-released at Art Palm Springs February 2020. Restoration has been done on this work. Slight wrinkle in upper left corner (photo) Comes in original black slim frame. About the Artist: María Eugenia Casuso 1941 – 2008 “It is rare for an unknown artist to possess such a profound graphic language, to release ego and face art like a faithful servant – like a saint, or a zen master...

Reticulum is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2021. Original Oil Painting on Canvas. Hand-signed, titled and dated on the back of the canvas. Mint con...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

This listing contains a set of Four paintings on panel: Goddess of the Subtle Matrix #1, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Goddess of the Subtle Matrix #2, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Goddess of the Expansion and Manifestation of All Things, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Mistress of Realities, 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso Each panel is $2600 each or $9900 for set of four. D-rings on reverse, simple hanging on two nails Four Contemporary abstract geometric paintings on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, peach and neutrals with pops of Hot Pink, Black and Cobalt Blue The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

Independent, Original Contemporary Abstract Painting Original abstract painting​ 60 x 48 x 1.5 inches Oil on canvas Original artwork signed by the artist Artwork is unframed, imag...

Large and impressive artwork by Fabien Hemard nice mixed media with acrylic and Gesso signed certificate perfect condition

This 40" x 40" acrylic on canvas painting, 'Levitation,' by Dragana Milovic depicts a fantastical abstracted landscape of geometric shapes and lines in...

Minimalist, abstract geometric standing sculpture in dark brown oxidized steel "Some Guy #2" by Joe Wheaton, made in 2005 oxidized steel, 80 x 17.5 x 15 inches Freestanding sculpture...

Oil on canvas.

This artwork is a cast patinated bronze and brass panel. This artist was present at the Biennale of Venice with his architectural artworks. He h...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Large-scale abstract titled "Rock Image II" by Erle Loran (American, 1905-1999). Erle Loran was a modernist of urban and coastal views and geometric painting. Signed lower right "Lor...

Rosebud, 2013, is a large scale oil painting by abstract geometric artist, Kati Vilim. This abstraction is an optical illusion, with cascading cubical forms in a series of red hues ...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Post Cubismo is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 1989. Original Oil Painting on Plywood. Hand-signed and dated on the back of the canvas. Very good co...

Vivid abstract geometric landscape of Oregon's John Day Fossil Beds and Painted Desert by Erle Loran (American, 1905-1999), 1989. Signed lower right "Loran '89." Estate sale on verso. Unframed. Image size: 60"H x 52"W. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

This artwork is part of a series called "Geometric Sculpture" and is a unique 3D sculpture that features a variety of vibrant colors including yellow, orange, red, blue, dark blue, and black. The sculpture is abstract in nature and showcases geometric shapes that add actual depth and space to the piece, making it visually striking and aesthetically pleasing to the viewer. Zach Touchon has expressed a desire to step outside the traditional format and focus on movement and 3D effects. As a result, the sculpture creates shadows that further enhance the 3D effect, making the piece truly dynamic and engaging. Touchon has also mentioned his goal to create even larger pieces in the future, pushing the boundaries of the series and the medium itself. Overall, this artwork is a visually stunning and unique addition to the "Geometric Sculpture" series, showcasing the artist's dedication to creating pieces that challenge traditional art forms and create a sense of depth and movement. -- Zach Touchon is a contemporary LA-based abstract expressionist artist. Besides that, Touchon is also an actor, a singer, a screenwriter, and an owner of the Touchon Gallery. Zach Touchon is a second-generation and a successor to his famous father's, Cecil Touchon's, artistic path. By rethinking abstract expressionism ideas, using different media he creates large abstract artwork along with small collages, huge murals, and interior installations. The main focus of his art is depth and space and finding a semantic and aesthetic balance between them. As a muralist, Touchon joins the ranks of such great LA street artists as WRDSMTH, Retna, Shepard Fairy, and Dirt Cobain...

Colorful abstract painting by Bay Area artist Michael Pauker (American, b. 1957). Unframed. Unsigned, but acquired with a collection of his work. “I’m driven by curiosity...where i...

Breather / turquoise aegis is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 84cm H x 200cm W . Back in the shoegazing years, when I was studying at the old Hornsey School of Art, there was a beautiful surge of guitar fuelled wall of noise bands on the scene, one of whom, Chapterhouse, released a track entitled Breather. It’s a piece that’s stuck with me ever since. Breather was drawn a little while after Eight...

Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas. Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work. After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media. By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow. Such notable collectors of the era, including Fred and Marcia Weisman, Steve Martin...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Acrylic

Made in Ukraine, 2020. Black. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations o...

Red tango. 2018, oil on canvas, 100x120 cm Abstract composition in red colors Igor Leontiev (1957) - one of the leading independent painters in Latvia ...

Oil on canvas.

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of har...

Vibrant modernist abstract geometric landscape of trees by the water with reflections by Erle Loran (American, 1905-1999). Signed "Loran" lower right corner. Estate stamp on verso. Unframed. Measures 52"H x 72"W x 2D. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

Striking abstract painting by Bay Area artist Michael Pauker (American, b. 1957). Unframed. Unsigned, but acquired with a collection of his work. “I’m driven by curiosity...where i...

Artist: Robert Melee Title: Another Unrendered Quasi-Articulated Substitution Year: 2006 Medium: Beer bottle caps, Plaster and Enamel on Wood, signed verso Size: 40 inch Diameter

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Wyoming Gold Diggings, Large Scale Modern Abstract Geometric Landscape #3 Beautiful abstracted geometric landscape by Erle Loran (American, 1905-1999) of the Wyoming "Gold Diggins"....

Original acrylic painting by Karli Henneman. Executed in hard-edge painting technique, with meticulous lines/dot detailing. Karli Henneman is a Los A...

Denise Driscoll's "Circles 8" is a 36 x 48 inch acrylic painting on panel composed of dots that float above a pattern of interlocking circles arranged i...

Beautiful abstracted geometric landscape of mountains surrounding San Francisco Bay Area titled "Tidal Planes" by Erle Loran (American, 1905-1999). Signed and dated lower right "Lora...

This work takes its cues from Ilya Bolotowsky and Piet Mondrian. A fine example of 1970's hard edged geometric abstraction. Artist, painter & master photographer Jonathan Singer was born in 1948. As a young man, Singer, a native New Yorker took art classes at the Museum of Modern Ar. As the protégé of Ilya Bolotowski, the painter (a member of "The Ten," a group that included Louis Schanker, Adolph Gottlieb, Mark Rothko, and Joseph Solman), Singer dreamed of becoming an artist, but his Jewish mother got her wish and Singer became a doctor instead but always kept a hand in the realm of art and photography. His two favorite subjects were flowers and graffiti. He’d spent many hours with graffiti writers (some of them famous, such as Lady Pink). In Fort Apache...

Artist/ School: French School, signed, contemporary Title: Geometric Abstract composition Medium: oil painting on canvas, unframed Size: painting: 23.75 x 23.75 inches Provenan...

An oil painting by Leo Bates from 1976. A prolific artist who operated predominately in secrecy until his death in 2013, Leo Bates produced a number of works never before seen until ...